Come and see Mr. Scott Conklin play!
Scott Conklin
Commended by The Strad for his
“brilliance of tone and charismatic delivery,” Scott Conklin regularly appears
as a recitalist, soloist, chamber musician, orchestral player, and teaching
clinician throughout the United States and abroad. He is Associate Professor of
Violin at The University of Iowa School of Music and a violin teacher at the
Preucil School of Music. Conklin has performed as a soloist with numerous
orchestras, including the Louisville, Nashville, and Berlin Symphony
Orchestras. Conklin is the 2008 Iowa String Teachers Association Leopold
LaFosse Studio Teacher of the Year, and he has been a featured clinician and
artist at the 2010 Suzuki Association of the Americas Conference and the 2004
Music Teachers National Association Conference.
In addition to performing from the
heart of the standard repertoire, Conklin is an advocate of new music. Albany
Records released Conklin’s album of contemporary American compositions with
pianist Alan Huckleberry to critical acclaim. Violinguistics: American Voices
was “urgently recommended” by Fanfare Magazine and was also highlighted, featured,
and recommended by The Strad, which complimented the performers for their
“interpretative eloquence, extreme technical precision, and an infectious brio
that makes the whole disc enjoyable.” Violinguistics features works by
Kevin Beavers, William Bolcom, Ching-chu Hu, Joel Puckett, Kevin Puts, and
Bright Sheng. Conklin’s recording of A Tempered Wish for Solo Violin and
Chamber Orchestra (2003) by Ching-chu Hu was released on the album Vive
Concertante! by Albany Records. He has also performed works by Luke Dahn,
Franco Donatoni, and Jeremy Dale Roberts on the same record label. In 2009,
Ching-chu Hu wrote and dedicated a new work to Conklin called The Hope Moment
for Violin and Piano (2012). Composer Joel Puckett of the Peabody Institute at
Johns Hopkins University also expanded his BMI award-winning composition
Colloquial Threads for Violin and Piano (2003) into a new four-movement violin
concerto called Southern Comforts for Violin, Orchestral Winds, Bass, Piano,
and Percussion (2008). Both works were written for and dedicated to Conklin.
Recently, Conklin appeared on a concert tour of Germany with pianist Alan
Huckleberry, and repeatedly performed the complete violin and piano works by
Brahms over successive nights with pianist Uriel Tsachor. The latter project
included Brahms’s very own violin and piano transcriptions of the Op. 120
Sonatas Numbers 1 and 2 for clarinet/viola and piano.
Conklin filmed the
pedagogical/violin master class DVD on Sound Innovations for String Orchestra
by Bob Phillips, Peter Boonschaft and Robert Sheldon, which was released
internationally by Alfred Music in June of 2010. Conklin is a former faculty
member of The University of Texas at Arlington, and he also taught on several
occasions as a substitute violin professor at The University of Texas at Austin
Butler School of Music. In the summer months, Conklin has served and/or
continues to serve on the faculty of The University of Iowa All-State Camp,
Sound Encounters (Kansas), American Suzuki Institute (Wisconsin), Ottawa Suzuki
Institute Mid-Southwest and Young Artist Camp (Kansas), DFW WOW (Texas), and
the Interlochen Arts Camp All-State Division (Michigan) among many others.
During the academic year, Conklin teaches at many clinics, conferences,
workshops, and educational settings throughout the country and serves on the
Editorial Board of the American Music Teacher, the official magazine of the
Music Teachers National Association. Conklin also holds the honorary
distinction of being a “Kentucky Colonel,” a title given to him by Governor
Wallace G. Wilkinson.
During his youth, Conklin was a student of Carol Dallinger,
Violin Professor at the University of Evansville. He holds a Bachelor of Music
degree from The Cleveland Institute of Music, where he studied violin with
David Updegraff and chamber music with Peter Salaff. Conklin also earned Master
of Music and Doctorate of Musical Arts degrees from The University of Michigan
School of Music as a student of Paul Kantor.
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